Since their humble start in 1992 as an underground band from Tumba, a suburb in southern Stockholm, AMON AMARTH have managed to establish themselves as one of Europe’s top death metal acts through hard work, relentless touring, and consistently solid albums. What has set AMON AMARTH apart from the rest of the death metal scene since the very beginning, is their use of Viking mythology and imagery in lyrics and artwork, as well as a talent for writing epic, memorable melodies, which underline their solemn yet barbaric approach to heavy music.
The band went through the usual demo recordings and line-up changes in the beginning stages, but soon made its first mark with the MCD “Sorrow Throughout The Nine Worlds”. A one-off affair with (of all places) Singapore’s Pulverized Records, this MCD did not only plant AMON AMARTH’s flag in the underground metal landscape, but also gained the band a multi-album deal with the renowned Metal Blade Records.“Once Sent From The Golden Hall”, the group’s Metal Blade debut, was released in 1998, and saw the band touring with such genre greats as Deicide, Six Feet Under, and Brutal Truth. The same year, drummer Martin Lopez left the band to pursue a career with Opeth, being replaced by Fredrik Andersson (previously in A Canorous Quintet). This would be the last line-up change in the band’s career. With a steady formation and an admirable work ethic, AMON AMARTH went on to record and release the albums “The Avenger” (1999) and “The Crusher” (2001) within a time period of two years, touring the European continent extensively in support of these releases. Sharing the stage with the likes of Morbid Angel, Marduk, and Vader, and touring the US for the first time in 2002, the band developed their live act into an unstoppable force, which by now has become one of the pillars of their ever-growing popularity.